From the abstract:
The term “creative aging,” in the broadest sense, describes an aging policy idea that focuses on highlighting the creativity of older adults in order to prepare individuals and communities to manage old age. Programs focus on the evolution of creativity over the lifespan and aim to provide meaningful participatory engagement, especially through the arts.
From the abstract:
Social entrepreneurship is usually understood as an economic activity which focuses at social values, goals, and investments that generates surpluses for social entrepreneurs as individuals, groups, and startups who are working for the benefit of communities, instead of strictly focusing mainly at the financial profit, economic values, and the benefit generated for shareholders or owners. Social entrepreneurship combines the production of goods, services, and knowledge in order to achieve both social and economic goals and allow for solidarity building.
From a broader perspective, entities that are focused on social entrepreneurship are identified as parts of the social and solidarity economy. These are, for example, social enterprises, cooperatives, mutual organizations, self-help groups, charities, unions, fair trade companies, community enterprises, and time banks. Social innovation is a key element of social entrepreneurship.
Social innovation is usually understood as new strategies, concepts, products, services, and organizational forms that allow for the satisfaction of needs. Such innovations are created in particular in the contact areas of various sectors of the social system. For example, these are spaces between the public sector, the private sector, and civil society. These innovations not only allow the solving of problems but also extend possibilities for public action.
This post on the website of LinkAGES, a Denver based foundation that supports intergenerational initiatives, provides an excellent overview of “Unboxed,” a digital intergenerational storytelling program for LGBTQ+ participants. Developed by the Denver Public Library in collaboration with the local branch of StoryCenter, the program brought together older LGBTQ+ adults with teens who also identified as LGBTQ+. Through learning about storytelling techniques from facilitators, who also identified as LGBTQ+, participants created and told their own life stories. The post includes testimony from one of the older participants that emphasizes the value of the program in building a cross-age LGBTQ+ community in Denver.
This 2019 announcement from The Baring Foundation outlines a major new investment in creative aging in the form of a three year grant to launch a new national support agency. The announcement describes the background, rationale, and support structure for the agency to be housed at the Manchester Museum. It re-affirms the fundamental principle underlying The Baring Foundation’s Creative Aging funding which supports the statement, “the opportunity to be creative and to experience arts and culture is a right at any age.”
This short report includes eleven case studies of creative ageing projects in the UK which set out to engage sections of the older population that are often under-served by arts and cultural organisations, including organisations working with older people from LGBTIQ communities and from ethnic minority communities.
From the report details:
A highly popular collection of 50 creative activities for use in any setting with older people. Contributed by arts organisations and artists across the UK.
From the report details:
In the spirit of Phileas Fogg (who had open credit with Barings Bank), this book reveals 80 projects offering arts (of all forms) to older people from Europe, Asia, the US, Australia and New Zealand. Includes a set of travel itineraries to help you plan a creative ageing journey of your own. Also available in Chinese courtesy of the British Council.
From the report details:
On 23 March 2020, many arts organisations working with older people ‘went remote’ almost overnight, with most starting from scratch. They provided live creative sessions online, demonstrated activities on YouTube, made up weekly letters and activity packs to post to participants, and delivered sessions by telephone. Many went beyond their creative services, calling participants to see how they were, raising funds to provide participants with tablets, and delivering food and essentials to those shielding.
This report is based on a small survey and 16 case studies of creative ageing organisations across the UK, as well as learning from a decade of funding in this field.
It highlights some of the ways in which arts organisations have supported the wellbeing of older people during the COVID-19 pandemic, explores the challenges that they are facing, and asks what needs to happen to make sure they can continue to do so.